Heroism

Why Inigo Montoya Is The Real Hero of “The Princess Bride”

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In a traditional storytelling sense, Westley is the hero of The Princess Bride. The story, after all, centers around his love for Princess Buttercup.  However, I, along with many other fans of The Princess Bride, consider Inigo Montoya to be the real hero of the story and here are seven reasons why:

  1. Inigo the only one with an actual character arc. All the characters in The Princess Bride essentially remain the same throughout the story. Westley starts out as a farm boy and ends up a pirate, but he’s determined, devoted, and dashing from beginning to end. Inigo starts off being a mercenary without a sense of direction, driven by revenge. In his first scene, where he appears with Vizzini and Fezzik, Vizzini berates him for being a drunkard and threatens to fire him. We don’t really know much about Inigo until his sword fight with Westley. In this scene, we learn that Inigo insists on using his left hand when sword fighting. Jill Bearup analyzes the meaning behind this iconic scene. Some things she mentions are all part of establishing Inigo’s character arc: He’s impatient, but he’s also a man of honor (not cutting Westley down or killing Westley as soon as he gets to the top). Inigo opens up to Westley, a perfect stranger, and is willing to wait until Westley is ready to fight. Inigo likes a good challenge, but he also likes to win. Most of all, we learn that Inigo only has one goal in mind: to get revenge on the man who killed his father. And when Westley is on the verge of defeating him, Inigo is desperate and devastated, scared to die before fulfilling his goal.
  2. Inigo is smarter than he thinks. He’s smart enough to know that Vizzini isn’t using “inconceivable” in the correct way. Later on, upon hearing that Count Rugen was the man who murdered his father, Inigo tries to formulate a plan. He may not be able to figure out a specific way to storm the castle and find the count, but he’s smart enough to know that he has to find Westley. Once Inigo and Fezzik rescue Westley from the Pit of Despair, Inigo takes him to Miracle Max. And even as Westley formulates a plan to storm the castle, Inigo knows that he still has to find the Count, meet up with Westley and Buttercup after, and figure out a way to escape from the kingdom. For a guy who doesn’t consider himself as smart as Vizzini, Inigo definitely has a mind for strategy.
  3. Inigo is empathetic. When Westley screams under the agony from the life-sucking machine, Inigo is the only one who recognizes Westley’s voice and he’s smart enough to realize why Westley is being tortured and uses Fezzik to help him out. Aside from that, he is not willing to kill Buttercup, even if it’s part of the job. Once Inigo takes Westley to Miracle Max, he advocates for the noble causes of true love and avenging his father. When he realizes that Miracle Max was humiliated by Humperdinck, he argues that reviving Westley will ruin the wedding and humiliate the prince forever, empathizing with Miracle Max’s desire for a potential revenge.
  4. Inigo is determined. His desire for revenge aside, his fight with Count Rugen shows Inigo’s determination. Rugen runs like a coward and then tries to kill Inigo before they even have a chance to fight. In spite of being close to death, Inigo is determined to kill Rugen. And he knows that Rugen is offering false promises, so he won’t let anything the Count says stop him. Being able to fight in spite of his injuries, wanting to do the right thing even though Inigo didn’t see himself as anything special? That’s what makes him a hero.
  5. Inigo proves to be a good leader. Contrasted with Vizzini, Inigo knows the strengths of the people he’s with and he encourages them to lean into their strengths instead of threatening them. Inigo has to do a lot of the legwork once he, Fezzik, and Westley get inside Humperdinck’s castle. I’m not saying that he’s a perfect leader, as he prioritizes his fight with the Count over getting Westley to Buttercup, but he at least knew that Fezzik’s strength would be able to help them both. Later on, when Fezzik arrives with the horses, Inigo praises Fezzik for taking initiative.
  6. The meta-narrative part 1: Keep in mind that the framing device for The Princess Bride is a grandfather telling the story to his grandson. The kid literally asks his grandfather if Inigo kills Humperdinck. He never considers Westley to be someone who would kill Humperdinck. Granted, Westley was assumed to be dead when the grandfather stopped the story in the Pit of Despair, but Inigo was enough of an engaging character to make the kid think that Inigo could kill Humperdinck. It implies that if Westley was actually dead, Inigo had the potential to carry the rest of the story on his own.
  7. The meta-narrative part 2: This story is well-known amongst fans of The Princess Bride as well as Mandy Patinkin fans, but for those who don’t know, Mandy Patinkin, who played Inigo Montoya, went into this role seeing the six-fingered man as representing the cancer that killed his father. He identified with the loss that Inigo suffered. So when Inigo killed the six-fingered man, Mandy felt as if he also killed the cancer that took his father.

The Importance of Superheroes

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Justice_League_Group

It’s easy to write off superhero movies as being all the same. It’s easy to get cynical about comic book movies, especially ones that are dark and angsty (*sideglances at Batfleck and Man of Steel*). But the genre of adaptations based on comic books has come a long way from how they started in the early 2000s and despite what some people may think, it’s not a rinse-and-repeat formula. I’ve said it before and I’ll say it again, if there’s one thing that the current lineup of superheros has shown us, it’s that there are many ways to be a hero, just as there are many ways to be a saint.

WARNING: I’ll be making references to both the Marvel Cinematic Universe AND the DC shows currently on TV, so if you’re one of those people who wants me to pick a side between Marvel and DC, this post is not for you. Also, I’m more familiar with the current lineup of movies and TV shows and not with the comics themselves, so apologies to you diehard comic book fans.

I’m gonna start out with what is being called the “Arrowverse,” AKA the current lineup of shows created by Greg Berlanti and Andrew Kreisberg. Arrow is the series most similar to the dark and gritty DC movies we’ve been seeing in recent years. It’s not a perfect show, especially with its soap-opera worthy levels of poor communications and misunderstandings, but my brother, who is a huge fan of the show, loves Arrow because of the characters. He says that the Green Arrow represents “the idea of a ray of light to combat a dark town. I think that things may always get worse before they get better, but you shouldn’t stop when it gets either way.”

Similarly, the protagonists in Daredevil and Jessica Jones are more like anti-heroes because these heroes don’t try to do the right thing for the sake of being good, but for other reasons. Matt Murdock wants to reform Hell’s Kitchen and Jessica Jones wants to believe that she can be a hero, even though she doesn’t think that she’s good. Neither of them realize it, but they are being heroes just by being selfless and putting other people before their own personal happiness. Maybe it’s my Catholic bias, but I liked that (so far) Matt incorporated the advice that Fr. Lantom gives him. And while I still have problems with Jessica Jones, I love that Jessica’s motivations throughout the show are for Hope’s safety as well as protecting humanity from Kilgrave.

In contrast, The Flash and Supergirl both have a more optimistic and idealistic view on heroism. Neither of the titular heroes resort to killing their adversaries. Instead, Flash gets help from his friends and mentors and come up with a smarter plan of action. The best example of this was during the Christmas special “Running to Stand Still.” Facing off against two of his deadliest opponents, Flash works together with his friends at S.T.A.R. labs to prevent a mass bombing. He also helps out a police officer who had a grudge against one of the bad guys. Another example can be seen in the crossover episode with Arrow “The Brave and The Bold” (Arrow Season 3) in which Flash’s team worked together with Green Arrow’s team to stop five bombs in the city from going off all at once.

Supergirl relies on her empathy and willingness to believe in the best in people in order to save the day and her optimism and compassion compel most people to imitate her. A recent example was shown in “Strange Visitor from Another Planet” in which Supergirl helped changed the mind of an anti-alien senator simply by saving her from the Monster (or rather White Martian) of the Week. She also helped her mentor take another step in dealing with his personal grief. (I’m applying this to both Hank Henshaw and Cat Grant.)

One other thing I also like about the latest crop of heroes is that they allow for original conflicts and concepts. Movies with superhero teams such as Guardians of the Galaxy, The Avengers, and Big Hero 6 show that while heroes may not always get along or agree, they will come together and be heroes when the situation calls for it.

What’s even better is that there are even shows out there that center on people who don’t have any superpowers, but are still considered heroes because their actions go beyond the ordinary. Agent Carter is an awesome show for many reasons, but one thing I love is that none of the protagonists (Peggy, Jarvis, or Howard) have any standard comic book superpowers. Instead, Peggy relies on her intuition and quick thinking in order to save the day. Jarvis trains in martial arts and is always willing to lend a hand. And the only superpowers Howard has are his genius mind and his charm.

The most interesting thing I’ve been seeing in the superhero genre, however, is that every character is given the opportunity to be good. Most of the time, villains are too selfish or sociopathic to want to be good. However, there are more complex villains that have a moral. Legends of Tomorrow and Suicide Squad show that even bad guys have the potential to be heroic under the right circumstances.

In Legends of Tomorrow, there are three characters who are morally ambiguous: Captain Cold, Heatwave, and White Canary. In my honest opinion, these guys have been the most interesting characters to watch. I love their snark, but I also like that they’re trying to figure out their own purpose in a team where most of the characters tend towards following rules or morals. While they don’t consider themselves to be good, Captain Cold is more than willing to help out a “crewmember” in need. Back in The Flash, he establishes his own code of honor with the main hero and goes out of his way to protect his sister. And while I’m on the fence about White Canary partaking in cannabis, she’s efficient in battle and wants to be more than just an assassin. Even the characters with typical morals, such as Martin Stein, are becoming more aware of their flaws as people and are making efforts to change in order to become better heroes.

In short, we need comic book superheroes. Why? Because we all have the potential to be heroes, even without the ability to gain superpowers. Superheroes, in the end, are people who have “an increased capacity to act and exert power and to demonstrate agency.” And as David Bowie said: “We can be heroes, just for one day.”

So go be heroes, people!