WandaVision: Come for the Sitcoms, Stay for the Psychology

I was pretty hyped for WandaVision, but unlike most MCU fans, I was mostly looking forward to all the sitcom shenanigans. I grew up with sitcoms ever since I was a kid. I got even more hyped when I heard they filmed the first episode in front of a live studio audience and that there would be sitcom theme songs created by Kristen Anderson-Lopez and Bobby Lopez (aka the team behind Frozen). What I didn’t expect was that this show would become a study in grief. In my honest opinion, the real villain of this show was a mix of individual and collective trauma and grief, something that is very relevant in the 2020s and if nothing else, for a spoiler-free option, you seriously have to watch this!

For this blog post, I want to give my overall thoughts on the series from beginning to end, with short recap and my thoughts on each episode. I’ll also be ranking the episodes and the theme songs.

Spoilers for WandaVision!

Episode 1: Filmed Before A Live Studio Audience

This episode is a throwback to the days of The Dick Van Dyke Show. Dick Van Dyke was even consulted for his knowledge on sitcom sets, as the main living room and the kitchen are based from his show. The opening to this episode is hilarious, with Wanda being dropped at the door just as Vision phased through.

The entire episode plays the typical “dinner with the boss vs forgotten anniversary” misunderstanding plot very straight, but Elizabeth Olsen and Paul Bettany do an excellent job playing their sitcom roles. Their chemistry is charming and genuine. Bettany is a natural at playing a very awkward office worker. (He reminds me so much of Giles from Buffy, but that might just be me.)

My favorite thing about this episode is how much work was put into filming it. The behind the scenes videos from Marvel’s YouTube channel show the stark difference between the 1950s/1960s color palette and how everything looked in black and white. I especially loved the costumes.

This episode is a great way to establish what the audience is signing up for: a throwback to old sitcoms with an underlying horrific mystery.

Episode 2: Don’t Touch That Dial

This episode is a throwback to Bewitched, but there are also elements of this episode that remind me of The Stepford Wives and Pleasantville. The plot revolves around Wanda and Vision trying to fit in with their respective groups. Wanda is meeting Dottie (played by Emma Caulfield) and the other ladies of Westview at a country club. There, she makes friends with Geraldine, who’s also having trouble fitting in. Meanwhile, Vision joins up with the local Neighborhood Watch and gets into some shenanigans when he gets gum stuck in his insides.

I loved the Pleasantville vibes of bits of red showing up around the episode (the toy helicopter and the blood on Dottie’s hands). Emma Caulfield was excellent in this episode as the Queen Stepford Wife. And overall, this episode was just fun to watch.

Episode 3: Now in Color

The theme song and overall aesthetic of this episode calls to mind The Brady Bunch and The Partridge Family, which fits the whole pregnancy plotline very well. The theme song is very bouncy and sweet and has a genuine, heartwarming vibe to it.

I’m pretty familiar with magical pregnancies in other shows, so it didn’t surprise me that Wanda’s magic went totally haywire and it was so much fun to watch the chaos. Wanda was honestly lucky that she didn’t have to deal with any actual pregnancy issues aside from contractions and labor pains, but that’s what happens when you go through 9 months in half an hour.

I also loved Geraldine/Monica in this episode. Her character reminded me of Mary Tyler Moore, a single lady working hard for a living. She becomes essential when Wanda goes into labor. The lady deserves a medal for being able to deliver twins without any proper medical training (as far as we know). It’s just sad that she ends up getting thrust out of Westview by the end, but it leads into the next episode.

WandaVision episode 4: Ready, A.I.M., theorize - The Verge

Episode 4: We Interrupt This Program

What this episode lacked in typical sitcom format (like a theme song), it made up for with awesome characters. It also adds a layer to the overall theme of the series. Monica coming back from the “Blip” gives a glimpse of just how chaotic the aftermath of Avengers: Endgame has been for everyone.

This is the first time that I felt like Marvel was reading my mind. I mentioned on various social media platforms that I wanted something that focused on what SWORD was doing. I loved how Jimmy Woo mastered the card trick from Ant-Man and the Wasp. I loved how he and Darcy getting invested in the Wandavision show. The part where the SWORD/FBI agents identify Westview citizens felt very meta. Overall, this episode was great to watch!

Episode 5: On a Very Special Episode

This is when the decades and show references start to blend. The theme song is an 80s power ballad with an intro that’s a mix of Growing Pains, Family Ties, and Full House. The episode’s overall aesthetic is a throwback to 80s sitcoms, with the house reminding me a lot of Roseanne or the set of Who’s the Boss? Another sitcom trope also gets introduced: Wanda’s kids suddenly age up! Twice!

Billy and Tommy are adorable in this episode and I love both sets of child actors. The plot of the episode revolved around Wanda, Billy, and Tommy wanting to take care of a stray puppy that they name Sparky while Vision tries to figure out what’s going on with Westview, realizing that not everything is what it seems to be.

One small way that the decades of this episode blend is shown in Vision’s bit at his computer job: computers at work, email, surfing the internet, and Norm saying “cowabunga” feel a lot more 90s than 80s.

On the SWORD side of things, Monica, Jimmy, and Darcy basically become a trio who have very different opinions from Director Hayward. Their teamwork is excellent. I am siding so much with the fandom: Jimmy Woo and Darcy Lewis deserve to have a spinoff. Thankfully, somebody is already getting to work on pitching an X-Files style show with Jimmy Woo as the star. (Agents of Sword/Atlas, anyone?) Hayward, however, is starting to show his true colors and I seriously didn’t like how he planned to use a missile against Wanda.

Wanda seems to show some signs of progress because she’s starting to talk about her grief, even if it’s just with her kids and dealing with all her uncertainty with Vision. But the chaos has started to close in. Which leads nicely into the next episode…

Episode 6: All-New Halloween Spooktacular!

Welcome to the late 90s and early 2000s! The theme song and the episode’s aesthetic is a full on throwback to Malcolm in the Middle. (Side note: The back of Agatha’s pants with a bedazzled “naughty” is so “Juicy Couture,” I can’t even.) This time, Billy and Tommy are narrating the episode, talking to the 4th wall about their uncle Pietro who came out of nowhere (played by Evan Peters) and worrying about their parents.

I really love the Halloween aesthetic and how adorable the kids were in their costumes. On top of all that, Billy and Tommy get powers! Tommy gets super speed and Billy gets telepathy and some magic-based powers.

Hayward goes full on jerk with an agenda mode and tells Monica, Woo, and Darcy that they’re out, but my favorite trio wasn’t going to go down without a fight! In Westview, Vision starts to explore how far Westview goes and things feel very Truman Show and Twilight Zone with how eerie things get. Even though Vision doesn’t remember anything about what happened before the start of the series, he is still an Avenger at heart!

Unfortunately, Vision trying to leave the Hex and failing forces Wanda to expand the barrier to save him, turning the entire SWORD encampment into a circus. The sad thing is that Darcy was part of the people left behind. Monica and Jimmy are running off to meet with people who will hopefully help them while Hayward goes off to set off another SWORD base.

Episode 7: Breaking the Fourth Wall

This episode that pays tribute to the mockumentary sitcoms of the 2000s and 2010s like The Office and Modern Family. Even the theme song is a good reflection of the aesthetic while also paying tribute to Happy Endings.

Wanda has taken a “quarantine-style staycation” and I’m so glad that she’s self-aware enough to know when to take a mental health day. Unfortunately, she has also sunk into depression, as she flippantly tells her kids that she’s starting to think that life is meaningless. I’m so glad the kids don’t hold what she says against her, but I can’t help but feel for Billy and Tommy.

Darcy and Vision carry on the “B Plot” of escaping the circus and getting back to Wanda. Their comedic timing is excellent. They work really well off of each other. The only downside is that Vision just leaves Darcy stranded instead of them just trying to off-road the truck or Vision flying with Darcy.

In spite of having a frickin tank at her disposal, Monica isn’t able to break through the Hex. So instead, she decides to break through on her own again and gains her Spectrum/Photon powers, which basically means that she is able to see different wavelengths of light amongst other things. She’s also able to find Wanda and tries to talk to her, but unfortunately, Agnes gets in the way.

Once Wanda gets to Agnes’s house, things get really spoilerific. If you don’t want to know anything major, please stop!

So I love Kathryn Hahn as Agnes. She has been excellent at playing the “nosy neighbor” while also making everyone suspicious about how much she really knows. By the end of the episode, it’s revealed that Agnes is actually the witch Agatha Harkness and in true Disney Villain fashion, she closes out the episode with her own theme song. Incidentally, this is the last theme song in the entire series. So kudos, Kathryn Hahn. You are officially a full-on Disney Villain now because you got the last song and it became the most viral sensation of 2021. *applause*

Episode 8: Previously On…

While I loved this episode for giving a lot of insight on Wanda’s past, I would have liked some scenes that checked on Jimmy Woo, Darcy, and Monica, especially since the previous episode had a post-credit scene that showed her running into “Pietro.” The best thing about this episode is that it provides a way for people to try and understand their grief in the form of Wanda just trying to piece past events together. Most therapy sessions start out with understanding childhood trauma (insert Freudian couch joke here).

I loved the part where Wanda watches Malcolm in the Middle with Vision. Watching sitcoms to deal with grief is a legit thing, you know. Friends became really popular after 9/11 because a lot of New Yorkers turned to that show for comfort, since it took place in New York and included shots of the Twin Towers. Best line of this episode: “What is grief, if not love persevering?”

While this episode isn’t as plot-heavy, it’s an emotional ride. I almost cried when Wanda saw Vision’s body in the SWORD base and said “I can’t feel you.” (A call back to Infinity War.) The part where Wanda drives around Westview and her breakdown at the plot of land that Vision bought for her also really hit me in the feels.

Some fun trivia: The episode of The Dick Van Dyke Show that young Wanda watches in her flashback (“It May Look Like a Walnut”) is an episode that parodies The Twilight Zone and sci-fi B-movies. It’s the perfect “easter egg” reference for this show that mixes sitcom and sci-fi horror.

Episode 9: The Series Finale

After all the buildup from the past 8 episodes, the finale of WandaVision was great for setting up what’ll happen in MCU Phase 4. I was overall happy that Wanda and Vision got their own chances to shine, had a bit of a “superhero team up” moment with their kids, and that Wanda was finally called out for how her grief-powered magic affected everyone. Vision’s use of “the ship of Theseus” against White Vision was a very Age of Ultron moment.

My only issue with this episode is a lack of closure. I wanted Darcy to get a proper send-off! I want Jimmy Woo to get made the new leader, maybe retooling SWORD and turning it into ATLAS. Monica Rambeau was also majorly underused in this ep. If she could’ve overtaken “Pietro” that easily and escape, she could’ve done it last episode!

But ultimately, this wasn’t about closure, at least not for the fans. It’s really about Wanda getting some sense of closure and becoming the Scarlet Witch. And she was able to get that, even if it lead to her isolating herself in the mountains, reading the Darkhold.

Grief is the Real Villain

There were two types of grief at play in WandaVision: Individual grief and collective grief.

Wanda, Monica, and Director Hayward all show different ways of coping with individual grief. Wanda goes through the five stages of grief and chooses to isolate herself. Monica’s grief centers on the loss of her mother and trying to figure out her life after being “blipped.” Director Hayward wasn’t blipped, but became authoritarian out of a desire for some sense of control.

The aftermath of the “Blip” and the power of Wanda’s reality-warping hex act as a form of collective grief. Westview was a dying town and people were trying to just get by. In Wanda’s point of view, they all seemed miserable. And while her sitcom reality reformed the structure of the town, it came at the cost of everyone losing their free will and living with Wanda’s nightmares. She was unburdening herself onto a lot of people without their consent. The grief was literally felt by everyone.

The reason I feel like grief is the big bad of the whole show is because grief and the way people try to cope drive the way that everyone acts in this show, especially in the finale.

My overall thoughts

I loved this show. I can see this show being studied in film/communication and psychology classes in terms of how a show comes together as well as how individual and collective grief has to be approached. It was a fun, emotional ride.

4.5 out of 5 due to:

  1. Emma Caulfield being majorly underused. If you’re gonna make her a red herring, have her be more prominent in more episodes. I seriously love her as Dottie and I wanted her in the 80s and the Halloween episodes!
  2. A lack of closure for Jimmy, Darcy, and Monica who became the unexpected breakout stars of this series. MCU, keep reading my mind. I need to see these guys again.

But otherwise, I seriously love this show.