Ladies and Gentlemen, from across the pond in London and currently showing in Chicago, we bring you a musical revue where the wives of Henry VIII take the stage!
I love finding new musicals through the Internet. Even though I don’t have an obsession with medieval history and only a vague knowledge of the Tudors, I fell in love at first listen with this album.
The premise of this show is basic: The six wives of King Henry VIII (Catherine of Aragon, Anne Boleyn, Jane Seymour, Anne of Cleves, Catherine Howard, and Catherine Parr) are updated into a modern day all-girl group with each of them having a song about their lives and their marriage. It’s basically Hamilton crossed with Chicago.
Since the musical only just came to the US, I’m gonna give y’all a track-by-track review/analysis.
- Ex-Wives: It starts with the famous rhyme “Divorced, Beheaded, Died, Divorced, Beheaded, Survived.” This introduces the six ladies and gives everyone a sneak preview of what each lady is like. This is where all the comparisons to Chicago comes from.
- No Way: Catherine of Aragon, a woman of integrity. Her track is basically like if Beyonce collaborated with Gloria Estefan to make a break up track. From what little I know about the actual Catherine of Aragon, I think it captures her spirit quite well.
- Don’t Lose Ur Head: This track became very popular through the app Tik Tok. It’s a party girl song with a Brit Pop beat. Anne is an opinionated lady, but her opinions and alleged flirtations with other men led to her eventual beheading. But she is #sorrynotsorry.
- Heart of Stone: Jane Seymour’s track is very reminiscent of an Adele song, a heartbreaking ballad about how she will be strong no matter what. The fact that she dies after giving birth to Edward just makes this song even more heartbreaking.
- House of Holbein: A Eurovision style track about how Anne of Cleves gets a cosmetic makeover for her portrait. It’s a total mood whiplash after Heart of Stone, but it’s also a great commentary on how women got prettied up back in the days before Photoshop and plastic surgery.
- Get Down: First of all, Genesis Lynea sounds exactly like Estelle. (In the very slim chance that Estelle reads this…You need to do a cover of this track!) This track gets compared to female hip hop acts. There’s a bit of Beyonce, a bit of Lady Gaga, a bit of Nicki Minaj, Charlie XCX. It’s a very fun track, capturing the vibes of modern day trap mixed with hip hop and techno.
- All You Wanna Do: My inner Britney fangirl is in love with this track. But this “Womanizer” track goes tragic fast because you quickly realize that Katherine Howard was used by men throughout her life all she wants is to be loved for her, not for her body. What REALLY hurts is that there are probably a lot of girls out there who can relate to this.
- I Don’t Need Your Love: Catherine Parr was in love with someone before she married Henry and she’s been married twice before. But aside from her marriage, Catherine Parr has her own legacy, writing her own reflections on Scripture (which is actually true). This becomes a bridge to the ending, with all the ladies realizing that they can define themselves separate from their marriage to one man.
- Six: The title track and my personal favorite. Taking the sound to modern day pop, the six ex-wives rewrite a happy ending for themselves. Catherine joined a nunnery and became a gospel choir singer. Anne Boleyn remixed “Greensleeves” and now collaborates with Shakespeare (Historically inaccurate given their age difference, but if you imagine an afterlife AU, it works). Jane Seymour gets a huge family and makes a band with them. Anne of Cleves takes up with the artist that painted her portrait and goes on tour in Prussia. Catherine Howard becomes a singer, foregoing the musician who took advantage of her. Catherine Parr brings the band together.
Yes, this musical is a feminist revisionist history thing. But it WORKS. It gives you a glimpse of the lives of the wives beyond how their marriage with Henry ended. They deserved a happier ending and in this musical, they finally get it.
If you live in the Chicago area, Six is currently showing until June 30 at the Chicago Shakespeare Theater. For now, I’m just gonna play this album on repeat!